A joy of my college education is that I get to take additional classes to my major that have become more and more enjoyable as I approach the end of the undergraduate journey. A seed was planted as I walked through the halls of museums and cathedrals while in Europe during the fall of 2010. I now have within me a growing passion for Art and the deep-rooted history that encompasses all of it. I am currently in an Art History course and have decided to make my Theme Journal in blog form. The blog will save me some typing because you know what they say, "An image is worth 1,000 words." The underlying theme that I have chosen to pull out of art from different time periods is deity. Deity in religious context is the ultimate goal and curiosity. Engulf yourself entirely in the artwork and somehow make your personal connection, as will I.

Monday, March 21, 2011

Islamic

Canteen 
Episodes From the LIfe of Christ
Syria 1240-1250 

During the 11th, 12th, and 13th Centuries a lot of Christians traveled to Islamic countries, especially to the Christian holy land, in Jerusalem and Bethlehem. The Christians came as pilgrimages or as Crusaders. Many of them returned to their home lands with mementos of their journey, some wealthy individuals commissioned local Muslim artists to produce custom made pieces for them. 

This unique brass canteen decorated with scenes of the life of Christ appears to be the work of a 13th century metalsmith. The canteen is a luxurious version of the "pilgrim flasks" that Christian visitors to the Holy Land often brought back to Europe. On the flask their lie inscriptions written in Hebrew. They promise eternal glory, secure life, perfect posterity, and increasing good luck to the canteen's owner (all beautiful gifts that are allotted by the Holy God of Israel whom it depicts). 

In the center of the canteen is the Madonna and Christ child enthroned. The three panels on it depict New Testament events. The first being the scene of the nativity. The next being the presentation in the temple. Lastly the prophetic entry into Jerusalem by the Savior,Lord, and KIng. These special and specific scenes could have been chosen by the patron being places of visit while on the trip. Most scholars believe that the artist used Syrian Christian manuscripts as the course for the canteen's Christian iconography. Many of the details are paralleled to the Islamic metalwork inscribed with names of Muslim patrons. The piece in its entirety shows the artistic interactions between the Christians and the Muslims in 13th Century Syria. 

The deity of this canteen is one so great that he who created the earth condescended down to this mortal state in saving the inhabitants of the world. He being the father of salvation, redemption, resurrection, and celestial glory. 

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